Showing posts with label Writing Queer Characters. Show all posts
Showing posts with label Writing Queer Characters. Show all posts

Friday, October 12, 2018

Tonight is Pasadena Art Night! Join Brandy Colbert, C.B. Lee, and Me for a YA panel and reading at the Pasadena Public Library - Central!




More details here: https://ww5.cityofpasadena.net/library/event/artnight-2/

Brandy's "Little and Lion" won the Stonewall award and is amazing, and C.B. now has two books in her kick-ass Bi heroine series! It's going to be a great discussion.

And then, after the panel and reading, there's going to be a Queer Kid Lit Hangout - a change to gather with the community of folks writing and illustrating works for kids and teens with LGBTQ characters and themes.

We hope you can join us!

The light in me recognizes and acknowledges the light in you,
Lee

Wednesday, February 1, 2017

The First Annual Lambda LitFest Los Angeles - A Queer Festival of Writing And Reading!

Where are you going to be Saturday March 11, 2017? If it's Los Angeles, or even the Lambda Literary Facebook page for the live video feed, count yourself fortunate.



LitFest Saturday is a full day of discussions, readings, entertainment, and community. The day features four powerful panels:

The Morning Plenary on barriers, opportunities, and being a queer writer in the 21st century with panelists Luis Alfaro, Zachary Drucker, Sarah Schulman, Justin Torres and Rebecca Walker, moderated by Cheryl Klein.

Quintessentially Queer LA, with panelists Ryka Aoki, Bernard Cooper, D’Lo, Wendy C. Ortiz, Claudia Rodríguez and Terry Wolverton, moderated by Alex Espinoza.

Queer Characters in Novels, Screenplays & Everything in Between with panelists Lucy Bledsoe, MariNaomi, Michael Nava, Our Lady J and Peter Paige, moderated by Noel Alumit.

Queer Truth: Nonfiction & Journalism in a Post-Truth World with panelists Tre’vell Anderson, Diane Anderson-Minshall, Melissa Chadburn, Alberto B. Mendoza and Robin Podolsky, moderated by Susie Bright.

That evening there's Lambda LitFest presents UnCabaret, hosted by Beth Lapides and featuring Julie Goldman, Marga Gomez, Ian Harvie, Alec Mapa and Justin Sayre. (Sorry, this one won't be live-streamed - you have to be there in person!)

But, as the infomercials used to say, That's not all!

Lambda LitFest is actually a full week (March 6-12, 2017) of programs and readings, with more than 24 community-curated events all across the city. From Giving Tongue: A Celebration of Lesbian/Queer Poets to Celebrating our Heroes: Betty Berzon, Jeanne Córdova, Paul Monette, Mark Thompson there's so much to enrich and inspire!

There's even a Lambda LitFest Closing Party -- with dancing and crafts!

It's going to be so much fun.

Check out the schedule of events (LitFest Saturday and the whole week's worth of readings, workshops, discussions, and entertainment), speaker bios, and all the rest here.

I'm honored to be part of the #LambdaLitFest steering committee, and I hope you'll mark your calendars, check it out, and be part of the first annual Lambda LitFest Los Angeles!

Lee

Wednesday, June 3, 2015

The LGBTQ Q&A sessions at SCBWI's Twice-Annual International Conferences - A Resource And Community For Writing (and Illustrating) LGBTQ Characters & Themes For Kids, Tweens and Teens

It started in 2007, after Ellen Wittlinger, the author of Parrotfish (which at the time was one of only a handful of transgender teen novels), gave a session at the SCBWI Summer Conference about writing LGBTQ characters. After her session, a bunch of us writers and illustrators hung out, wanting to talk more about our work, and challenges, and triumphs and questions, and really – maybe more than any of the rest of it – just continue to bask in the company and knowledge that within our larger tribe of writers and illustrators for kids and teens, we were not alone in wanting to tell stories about and including queer characters and themes.

Starting in 2009, I've been thrilled to both moderate and host the LGBTQ Q&A sessions (sometimes called 'Find the LGBTQ in SCBWI') at both the New York Winter and Los Angeles Summer SCBWI International Conferences.

The New York 2013 LGBTQ Q&A

Chatting after the New York 2015 LGBTQ Q&A

Poolside Cabana-Style LGBTQ Q&A in Los Angeles 2011


The format has been this: We sit in a large circle (we've ranged between 30 and 50 attendees) and we go around and everyone introduces themselves and what they're working on, and then we get into the questions for our conference faculty guests and a great discussion. Afterwards, everyone hangs out, exchanging cards and basking in the sense of community.

Those conference faculty guests have included Ellen Hopkins, Emma Dryden, Jane Yolen, Arthur A. Levine, Kristin Venuti, Tracey Adams, Bruce Coville, Michael Stother, Natalie Fischer, Danielle Smith, Neil Porter, Sonya Sones, T.S. Ferguson, Jen Laughran, Alvina Ling, Laurent Linn, Ari Lewin, Jim McCarthy, Aaron Hartzler – we've even had Judy Blume attend!

Most of the sessions have been covered on the SCBWI Conference Blog, with photos and brief write-ups. There's lots of information and great advice there, including:


Bruce Coville: "Write what you believe in. Anything else is going to be false to you and false to the world as well."

Tim Federle: "You will get pushback and you will be celebrated."

Danielle Smith: "Don't be afraid to write the characters you want to write. Kids need them."

Ellen Hopkins: "Books don't create queers. They just offer empathy and understanding to that space."

Emma Dryden: ""Stop thinking about them as queer and just think of them as people."

Jane Yolen: "There's nothing off the table when you're writing a novel… if you do it well. And then you set a new benchmark."


There will be another LGBTQ Q&A session at the upcoming 2015 SCBWI Summer Conference in Los Angeles, Friday evening July 31 from 7:30pm - 9:00pm. You can find out more information about the conference here.

And as I always sign off at the SCBWI Blog,

Illustrate and Write On!
Lee

Wednesday, May 27, 2015

Mary E. Cronin's Workshop On Gay (LGBT) & Questioning Characters In Middle Grade: A Guest Post

Mary E. Cronin (left) with her wife and co-presenter, Bonnie Jackman


The recent “Dear Author” appeal on this blog shined a light on the need for more queer and questioning characters in literature for young people. There is a demand for it!

But how do writers go about meeting that need at the middle-grade level? How can we create space in our stories for those characters to be who they are (and for our readers to recognize themselves), before many of them are ready for romantic connections?

That was the heart of the workshop I recently presented with my wife, middle school guidance counselor Bonnie Jackman, at the New England SCBWI conference in Springfield, Mass. It was heartening and exciting to tackle this topic with workshop participants—dedicated writers who are writing queer characters now, or want to do so in future works—and they want to do it well!

First off, I have to admit it was fun to present on this topic as a married couple! Bonnie is a seasoned middle school counselor, and I have been writing for years. It was the perfect overlap of our worlds—professional and personal.

Second, we started the workshop by highlighting the context in which today’s eleven year olds have grown up. Gay marriage became legal in Massachusetts the same year they were born (2004). Since then it has become legal in 36 states and the District of Columbia. President Obama was elected when they were age four; and the “It Gets Better” project was launched when they were six, to combat suicides by teens who were gay or suspected of being gay. Their world is very, very different from the world we grew up in.


We then delved into the various layers in a middle-grader’s life, and how those layers are rich territory in which to portray a queer or questioning character:

• What is the character’s perception of themselves at this age? Do they feel different? Have they put a name to that difference? Are they desperately trying to fit in to dominant heterosexual culture, or are they beginning to enjoy being different from the mainstream?

• Family is a dominant force in a middle schooler’s life (for better or worse!). A character’s family might be provincial and traditional, or worldly and wild. There may be GLBT people in the character’s family, or they may have no role models or reference points at all. These factors will have a huge impact on a character’s trajectory.

• School may be a refuge in a time of confusion (think of like-minded peers or super-cool adult role models) … or it could be a major stressor (bullying, fear of being different, peer pressure).

• Peer relationships—so much potential for writers here! Consider characters who develop a crush on a friend; characters who are trying to “blend in” by faking it; questioning/queer kids who find each other and form supportive friendships… the possibilities are rich and endless!

We shared middle-school recollections of some authors in the presentation, such as Steven dos Santos: “It was definitely a chaotic time because, while I wasn’t necessarily aware of the full implications of my orientation at the time, I definitely developed crushes on classmates of the same gender, looked forward to spending time with them, sitting next to them in class… there was no one I could confide in and I really felt like I didn’t fit in, contributing to becoming somewhat introverted.”

For writers who are nervous about getting it right, or thinking they have to write about sex, Lee Wind had words of encouragement to pass on: “…because crushes, crazy-enthusiasm, awkwardness, staring, catching someone's eye and then looking away... only to look back again, there's a bazillion elements to being gay or questioning that are not about sex.”

We touched on wonderful books and resources that shine a light on queer/questioning characters in middle-grade, including Tim Federle’s Better Nate Than Ever and Five, Six, Seven, Nate; Fun Home by Alison Bechdel; the writings of Huffington Post columnist Nicole Breedlove; and Drama by Raina Telgemeier.

Participants had great questions, and there was general amazement at the uneven patchwork of resources for queer/questioning kids at the middle school level. At Bonnie’s middle school on Cape Cod, for instance, there is a GLBT resource section in the school library; other participants in the conference said their schools had nothing. As we watched the workshop participants leave, excited at the prospect of writing more queer and questioning characters in their middle grade works, we were filled with hope and optimism. And we’ve already been asked to present this workshop in other venues! Stay tuned.

Mary E. Cronin – Writer and educator Mary E. Cronin writes picture books, poetry and middle-grade fiction from her home on Cape Cod. She has an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts, and she teaches English and Early Childhood Education at the college level. You can reach her at www.maryecronin.com

Bonnie Jackman is a middle school guidance counselor in Orleans, Massachusetts. Bonnie has a Master of Social Work degree from Simmons College in Boston. A shameless fan of Broadway show tunes, Bonnie runs both the GSA at her school as well as “Musical Mondays,” an afterschool group for kids who love Broadway musicals.


Wednesday, May 20, 2015

Judith Marcin: Guest Post on Crafting Queer Characters

From Publishers Weekly, Judith and the other panelists on "Crafting True-To-Life LGBTQ YA Characters -- Writing Beyond Stereotypes"


Ever wonder what it takes to craft great queer characters when writing for children and young adults? This question was explored at The Association of Writers and Writing Programs (AWP) this April in Minneapolis. I had the privilege of moderating the only queer panel focused on children’s/YA literature at the conference, entitled “Crafting True-to-Life LGBTQ YA Characters--Writing Beyond Stereotypes.”

Along with picture book and YA author Molly Beth Griffin and poet and YA author Kirstin Cronn-Mills, we looked at a variety of ways writers can add more diversity to their works starting with the well-rounded LGBTQAI+ character.

Our goal was to encourage all writers to become inclusive, to not default to a straight main character due to apprehension or fear. We focused on four areas of character development in order to frame our discussion: understanding stereotypes, the role of queer social history, the significance of queer literary history for young people and the importance of understanding queer identity.


We started our discussion with stereotypes.
The key to understanding stereotypes is to explore their historical context, understand why they exist and how they serve the queer community. Stereotypes often grew out of a need for queer people to find a safe space, a place free from judgment about one’s own identity or self-expression. Components of stereotypes can be used as strengths in order to build a familiar character or setting for the reader.
Of course, there are downsides too. A stereotype is harmful when it is used to demean, demoralize or flatten a character. A champion for explaining the pitfalls of stereotypes is author Chimamanda Ngozi Adichie. We highly recommend her TED talk
The Danger of a Single Story.”
Adichie emphasizes that if a stereotype is the only thing one knows about a person or group of people their knowledge is incomplete. Only by fully understanding the impact of stereotypes can a writer explore the struggles their characters face on a daily basis.

So, how does a writer learn empathy and gain understanding?
That is where research comes in.
All writers do some kind of research when developing a character. Whether writing historical or contemporary fiction or conjuring up the most fantastical worlds, our characters have to be real. For writers and readers interested in LGBTQ history this often requires more effort, since queer history is not traditionally taught in American schools. LGBTQ archives in New York and San Francisco, public libraries and the Library of Congress are some examples of electronically accessible LGBTQ collections and often feature oral histories.
Because history gives characters context, reading books by Lillian Faderman, John D’Emilio, Randy Shilts, Kate Borstein, Micheal Bronksi and Leila Rupp, to name a few, writers can learn about the impact that gender, sexual orientation and the LGBTQAI+ community has had in the shaping of history.

Character context is also developed by reading the literary works that frame the LGBTQ experience in children’s/YA writing.
Our panel compiled a recommended reading list of queer middle grade and young adult works as a starting place for understanding this canon of literature.

Where to Start…

Middle Grade Fiction
Federle, Tim. Better Nate than Ever
                       Five, Six, Seven, Nate!
Howe, James. Totally Joe
Moskowitz, Hannah. Marco Impossible
Polonsky, Ami. Gracefully Grayson
Telgemeier, Raina. Drama

Young Adult Fiction
Barakiva, Michael One Man Guy
Beam, Cris. I am J
Block, Francesca Lia. Love in the Time of Global Warming
                                    The Island of Excess Love
Brezenoff, Steve. Brooklyn Burning
Charlton-Trujillo, e.E. Fat Angie
Chbosky, Stephen. The Perks of Being a Wallflower
Clark, Kristin Elizabeth. Freakboy
Cronn-Mills, Kirstin. The Sky Always Hears Me and the Hills Don’t Mind
                                   Beautiful Music for Ugly Children
danforth, emily. The Miseducation of Cameron Post
Duyvis, Corinne. Otherbound
Farizan, Sara. If You Could Be Mine
                       Tell Me Again How A Crush Should Feel
Griffin, Molly Beth. Silhouette of a Sparrow
Johnson, Alaya Dawn. The Summer Prince
King, A. S. Ask the Passengers
Konigsberg, Bill. Openly Straight
LaCour, Nina. Everything Leads to You
Lam, Laura. Pantomime
                     Shadowplay
Levithan, David. Hold Me Closer: The Tiny Cooper Story
                            Every day
                            Two Boys Kissing
Lo, Malinda. Ash
                      Huntress
                      Adaptation
                      Inheritance
London, Alex. Proxy
                        Guardian
Magoon, Kekla. 37 Things I Love
Myracle, Lauren. Kissing Kate
Nelson, Jandy. I’ll Give You the Sun
Peters, Julie Anne. Lies My Girlfriend Told Me
Ryan, Sara. Empress of the World
                   The Rules for Hearts
Sáenz, Benjamin Alire. Aristotle and Dante Discover the Secrets of the Universe
Sharpe, Tess. Far From You
Smith, Andrew. Grasshopper Jungle
Talley, Robin. Lies We Tell Ourselves
Watts, Julia. Secret City

Non Fiction
Alsenas, Linas. Gay America
Andrews, Arin. Some Assembly Required: The Not-So-Secret Life of a Transgender Teen
Angel, Ann. Janis Joplin: Rise Up Singing
Belge, Kathy and Marke Bieschke. Queer: The Ultimate LGBT Guide for Teens Bornstein, Kate. My New Gender Workbook
Cart, Michael and Christine Jenkins. The Heart Has Its Reasons: YA Literature with Gay/Lesbian/Queer Content 1969-2004
Cronn-Mills, Kirstin. Transgender Lives: Complex Stories, Complex Voices
Hill, Mel Reiff and Jay Mays. The Gender Book
Hill, Katie Rain. Rethinking Normal: A Memoir in Transition
Kuklin, Susan. Beyond Magenta: Transgender Teens Speak Out
Setterington, Ken. Branded by the Pink Triangle


Encompassing a variety of genres, these nonfiction works and character-driven novels are excellent examples of diverse queer experiences.


Finally, there is the question of identity.
Often, this is the most challenging component of queer character craft. Human sexuality, gender identity and gender expression all play into how queer characters identify. These concepts are complex and should be approached with empathy and respect. Identity is further complicated by how safe characters feel in revealing themselves to others. Like people, queer characters may be reluctant to express themselves due to homophobia, bullying or a bigoted social climate. Only by crafting a safe space on the page can queer characters be free to explore their full potential.

Ultimately, the LGBTQ experience is not merely an adult experience. Whether discussing young children or young adults, their interpretation of themselves is valid. Their expressions of gender and their understanding of their own bodies need to be respected. Young people deserve to be empowered by our writing, to see their lives on the page and know that they are not alone. When we craft true-to-life LGBTQAI+ characters we are emphasizing to readers that their lives matter and so do their stories.


Judi Marcin is a MFA student in her final semester at Hamline University’s graduate program in Writing for Children and Young Adults. Some of her short stories for young people appear in Community Health Narratives: A Reader, which uses fiction to explore health challenges faced by middle grade and high school students. Her passion is to improve queer, gender non-conforming and diverse character visibility within the world of children's/YA literature.

Wednesday, May 13, 2015

Writing Queer Characters - Launching A New Occasional Series with "Dear Authors" - A Queer Teen's spoken word poem about LGBTQAI+ Representation

I'm delighted to be launching this new series of posts with this very heartfelt video, "Dear Authors", which I'm sharing with the teen creator's permission:



Writing queer characters for young people is a topic that's been getting more attention and coverage in writing conferences around the USA this past year, and we'll be hearing from some of those presenters.

Stay tuned for some great stuff ahead! And thanks to @JoneMac53 over on twitter for the heads-up on "Dear Authors!"

Lee